Graduating from the college circuit to the London club scene whilst still students, the band slowly built a faithful following, regularly selling-out shows at the Marquee and Moonlight Clubs and released their first single 'Chenko' on the Cherry Red label in 1983. A song of loss woven around a North American Indian chant, the unusual record was a swift hit with radio, and it brought them to the attention of Seymour Stein, who signed the band to Sire in 1984.

They later re-signed direct to WEA, though affectionately retained the Sire logo.
Rolling Stone review of 'The Circle & The Square': 
This fascinating London twosome takes an offbeat and rewarding direction on their first album, folding American Indian (covering Buffy Sainte-Marie in the process) and other ethnic folk influences into sophisticated modern pop creations for an unpredictable and indescribable pan-ethnic mélange. Simon Toulson Clarke and Julian Close make warm and varied music, much of it employing a vocal chorus which adds African or North American Indian color. The evocative lyrics bring a global political intelligence to the songs, making them not only appealing but affecting as well. Something like a less stern Peter Gabriel LP, this imaginative and engaging record is simply astonishing. [Ira Robbins- Rolling Stone]
Read the for 'The Circle & The Square'. 

In August 1985 Red Box enjoyed their first UK hit, ‘Lean on Me (ah-li-ayo)’, a song which reached number three in the charts and stayed there for over a month. Reaching No 1 in six countries and going top five in a further twelve, the record gave worldwide exposure to the band. Buoyant and anthemic, ‘Lean On Me’ was promoted with an unusual video (nominated for Best Video - Brits 1985) in which a sign language interpreter provided a translation of the song's lyrics. The record was the most played on UK radio that year.

The following year, Red Box released the album ‘The Circle & The Square’, an expansive and eclectic collection of songs presenting a 'culture clash' of influences both musically and thematically, and mixing traditional musical styles - brass ensembles, choral music and tribal chants - with modern, contemporary rock and pop. The album is notable for introducing ethnic rhythms and elements of World Music into the '80s pop milieu alongside
established artists such as Paul Simon (Graceland, '86) and Kate Bush (The Sensual World, '89).
 
 

Toulson-Clarke responded to WEA’s request for something to appeal to American radio with the sardonic ‘For America’.

Unsurprisingly, the song was not a hit in the USA, though it did, worldwide, outsell ‘Lean On Me’, reaching number one in eight countries, and going top ten in the remainder, including the UK, where it spent twelve weeks in the chart including two at number nine.

Both ‘Lean on Me’ and ‘For America’ remain staples of UK radio.
 
In the late '80s Toulson-Clarke began work on a new album. The tribalism of the first LP had opened a hairline crack in the band’s relationship with Warner Bros., who were unconvinced as to the commercial worth of mixing pop with world music. ‘Motive’ is less tribal than its predecessor, with several tracks built around piano, brass and orchestral arrangements. It also displays a more personal style of writing, combined with the cultural and political allusions of the previous record.

The opening song and first single, "Train" most obviously carries over the sound of ‘The Circle & The Square’. It is an ambitious up-tempo track, beginning with the sound of a locomotive gradually picking up speed and subsequently shunting to a halt at the song's end. However a progressively deteriorating relationship between band and label undermined any efforts to promote the album. The group took time out to travel and swear a lot.
 
Toulson-Clarke was encouraged back into the fold by Max Hole, head of East West Records and a good friend. In the role of ‘music consultant’ to the A+R Dept., he worked with artists, sometimes as a songwriter, sometimes as a producer.
 
Due to the scarcity of both albums on CD format, rare copies have sold for vastly inflated prices. Cherry Red Records re-issued‘The Circle and the Square’ in autumn 2008, adding all but one of the band’s B-sides and the original ‘Chenko’. There are rumours they will reissue ‘Motive’.
 
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